Bringing out the Low End with the Big Amp
I’ve been working with the two-amp-modeler Zoom G3 + Digitech RP355 setup for long enough now to know that my Peavey KB2 amp, with its brave but outgunned 10 inch speaker, isn’t going to cut it for the super-saturated low end frequencies that I’m laying…
My Two-Modeler Rig: A Few New Insights
I’m still developing patches for the Zoom G3, and I’m starting to think more about designing patches expressly to be used in combination with the Digitech RP355. (That’s a pretty selfish use of my programming time, given that I doubt most of my customers will…
Hear our new Huntersounds RP155 patch set samples!
We recorded EVERY patch in the new RP150/155 set, and we’re putting them up here as fast as we can. You’re hearing my Fireball mic into the RP155, which goes into the first channel (line) input of my Peavey KB2 keyboard amp with 10″ speaker….
Hear our latest Digitech RP250/255/350/355/500 patches!
The patches for the v16 Huntersounds Digitech RP patchset update are all ready, so it’s time to hear the samples! I played these pieces with a Hohner Marine Band Deluxe in A, into an Audix Fireball V mic, into a Digitech RP255, into a Peavey…
A blast from my past, courtesy of Randy Singer
Randy Singer is one of the best-known harmonica players in Miami and thereabouts, and we’ve known each other since roughly 1980. Randy just unearthed the clip below and sent it to me, and I was glad to get it. It’s a solo I played on…
Recording “Copper” Episode 19: An RP255 and a Fireball V Does It
As I noted in a previous post, I got a call Friday night from Brian Keane, a composer and producer that I’ve done a number of sessions for. Brian wanted me to record acoustic harmonica for a scene in a BBC series he’s scoring called…
I’m Liking the Seydel Session Steel
Last August at SPAH I bought a Seydel Session Steel harmonica in the key of A from Rupert Oysler. Since then I’ve been playing that instrument frequently and hard, and it still plays and sounds pretty much the way it did when I took it…
Getting all Emotional for “Copper”
I got a call last night from Brian Keane, a producer I’ve worked with on a number of projects. Brian is scoring this season of “Copper”, a BBC series about a detective in New York City in 1864, directed by Barry Levinson. The episode Brian…
Goodbye to the Maw Band
Brian Maw and I decided to part ways this weekend. It’s too bad. I loved playing with the Maw/Preston/Hunter trio. But Brian wanted to put a different band together–a more conventional rock band, as opposed to the decidedly unconventional trio–and the fact that I had…
Why I Spend Time Making Sounds for Harmonica Players
I want to be part of something that lives and grows in my own time, not something that stopped changing and growing 50 years ago. That’s why I make sounds for the 21st century: so harmonica players can live there.
