Overdubs, overdubs
Worked tonight on overdubs for “Blue Future” songs including “Mercy Me,” a 12-bar minor blues, and “Disconnected Blues,” a big strutting blues with a harp running through an envelope filter driving the tune. I’m liking a horn section of 2 harps, at least one pitch…
Two days left to help fund Richard Hunter’s “Blue Future” on Indiegogo!
Two days left to contribute to Richard Hunter’s “Blue Future” on Indiegogo! For $10 you can order a digital copy of “Blue Future”; for $20 you get that plus a signed copy of “The Lucky One” CD; and for bigger contributions, well, check it out…
A relatively brief rant about blues harmonica gear
I always get a kick out of blues harp players who say out of one side of their mouths that the all-important thing is to express your own sounds and ideas, and on the other that there’s only one amp, one mic, one delay, etc….
Songsimian.com posts their review of the 4 best (in their opinion) amp modelers
Songsimian.com just posted a review of 4 top amp modelers, one of which is our own favorite, the Digitech RP500. That’s the one we used for every harp track on our record “The Lucky One;” check out the player above to hear what it sounds…
The Fender Mustang in the Studio: Like, Perfect
I had the opportunity last weekend to use my Fender Mustang III amp in the studio for the “Blue Future” sessions. In a word, it was perfect for recording a wide range of amped and clean tones. (I wouldn’t mind if it weighed ten pounds…
Reminder to self: Back It Up
A couple of nights ago I left my laptop in a hotel bar. I realized it the next morning when I picked up my laptop bag and realized that it was a bit light. For some reason I did not immediately freak out, notwithstanding that…
A brief comment about the joy of a Lee Oskar harp
Yesterday I went out with a Lee Oskar Natural Minor harp in Ab in my pocket–first time in a while that I’ve had a day with a Lee Oskar. I was reminded immediately of how the Oskar harps respond to delicate playing with clear, serenely…
Wow Does the Bassman Amp Model in the Line 6 Spider V Sound Good
Spent a couple of hours yesterday working with the Line 6 Spider V. I am flat out amazed at the sound of the Fender Bassman amp model in that thing. I suppose I shouldn’t be; as I now recall, the Bassman amp model in their…
First Impressions of the Line 6 Spider V
I’ve had the Line 6 Spider V 30 for a few days now. I’ve had the chance to play through it a few times and check out both the Spider Remote software for patch management supplied by Line 6 and the V 30’s front panel,…
As We Await the Delivery of the Line 6 Spider V, A Few Thoughts on Gear
I’m getting set for a lot of activities in the next couple of months: creating a patch set for the Line 6 Spider V series modeling amps, writing and arranging the music for my next record, “Blue Future”, recording keyboard parts for another record, and…
