RP Tip #15: Use the right power supply
I’ve had a few inquiries from subscribers recently about power supplies for the RP. The questions generally take the form of “what power supplies can I use with the RP?” The very short answer to this question is: ONLY the one that came with it….
RP Tip #14: Don’t be afraid to buy a used RP
It’s amazing how much sheer sound-shaping power you get for the money with a Digitech RP loaded with our patch set. Even the RP155, which retails new for less than $100, produces a boatload of amazing sounds for both electric and acoustic players, and every…
RP Tip #13: When All Else Fails, Call Digitech
I own a lot of RP hardware, and sometimes it does surprising things. Like, for example, I discovered last week that I can’t save a patch on the RP355 to any location besides preset #1 when said patch includes an LFO that modulates pitch shift…
Gear Review: Tech 21 Blonde v2 Fender Amp Modeling Pedal
The Tech 21 Blonde (v2 in this case) is a stompbox amp modeling pedal designed to emulate a range of Fender amps, a role that it fills very well. It’s one of a series of “Character” pedals from Tech 21, whose experience building analog amp…
RP Tip #12: dealing with zipper noise
The RP250/255/350/355 and up allow you to assign the footpedal to any effect parameter you like, which gives you a lot of power to change the sound. (The RP155 doesn’t have a footpedal, though you can add one, which would make it about as expensive…
RP Tip #11: It’s a very good delay and reverb box
Most people who own the Digitech RP250/255/350/355 don’t think of it as a delay and/or reverb device, but the fact is that both the delays and the reverbs in these RPs are really very good, better sounding than many dedicated devices and most amp modelers…
RP Tip #10: Make the PA louder before you up the output on the RP
Ideally, you want at least two things from any gear: you want it to sound great, and you want it as loud as you need it, when you need it. The same applies to the Digitech RP or any other effects device, and it’s pretty…
RP Tip #9: It’s a really good audio interface, especially for harp
UPDATE: At this point we don’t just think an RP is a “pretty good audio interface”; it’s the one we use for harmonica whenever we have the chance. See this post for a discussion of how we recorded a session for the big-budget BBC series…
Gear Review: Three mics to do it all
Different mics produce very different sounds, as the samples here show, and no mic by itself can do the best possible job on everything that a harmonica player might want to play. But a harmonica player can cover an amazing range of material and performance…
RP Tip #5: How to connect the RP to everything
Connecting the RP to other gear, like your amp and your mic, is really pretty simple. You don’t need a preamp between the mic and the RP; the RP is a preamp. You don’t need a direct box between your RP and the amp or…
